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                                             Why should Kosh be the only one to post depressing poetry? Four Preludes on the Playthings of the Wind ---Carl Sandburg The past is a bucket of ashes. 1 The woman named Tomorrow  sits with a hairpin in her teeth  and takes her time  and does her hair the way she wants it  and fastens at last the last braid and coil  and puts the hairpin where it belongs  and turns and drawls: Well, what of it?  My grandmother, Yesterday, is gone.  What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold  and the girls were golden girls  and the panels read and the girls chanted:  We are the greatest city,  the greatest nation: nothing like us ever was. The doors are twisted on broken hinges.  Sheets of rain swish through on the wind  where the golden girls ran and the panels read:  We are the greatest city, the greatest nation,  nothing like us ever was. 3 It has happened before.  Strong men put up a city and got  a nation together, And paid singers to sing and women  to warble: We are the greatest city,  the greatest nation,  nothing like us ever was. And while the singers sang and the strong men listened  and paid the singers well  and felt good about it all,  there were rats and lizards who listened  … and the only listeners left now … are … the rats … and the lizards. And there are black crows  crying, "Caw, caw,"  bringing mud and sticks  building a nest over the words carved  on the doors where the panels were cedar  and the strips on the panels were gold  and the golden girls came singing:  We are the greatest city, the greatest nation:  nothing like us ever was. The only singers now are crows crying, "Caw, caw,"  And the sheets of rain whine in the wind and doorways.  And the only listeners now are … the rats … and the lizards. 4 The feet of the rats  scribble on the door sills;  the hieroglyphs of the rat footprints  chatter the pedigrees of the rats  and babble of the blood and gabble of the breed  of the grandfathers and the great-grandfathers  of the rats. And the wind shifts  and the dust on a door sill shifts and even the writing of the rat footprints  tells us nothing, nothing at all  about the greatest city, the greatest nation  where the strong men listened  and the women warbled: Nothing like us ever was. 
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